The Murder at the Vicarage - Christie Agatha (книги бесплатно без txt) 📗

That seemed final, so I went. But as I did so, I wondered. We are not used to mysteries in St. Mary Mead.

So much is this the case that as I emerged from the gate I was pounced upon. Miss Hartnell is very good at pouncing in a heavy and cumbrous way.

"I saw you!" she exclaimed with ponderous humour. "And I was so excited. Now can you tell us all about it."

"About what?"

"The mysterious lady! Is she a widow or has she a husband somewhere?"

"I really couldn't say. She didn't tell me."

"How very peculiar. One would think she would be certain to mention something casually. It almost looks, doesn't it, as though she had a reason for not speaking?"

"I really don't see that."

"Ah! but as dear Miss Marple says, you are so unworldly, dear vicar. Tell me, has she known Dr. Haydock long?"

"She didn't mention him, so I don't know.''

"Really? But what did you talk about then?"

"Pictures, music, books," I said truthfully.

Miss Hartnell, whose only topics of conversation are the purely personal, looked suspicious and unbelieving. Taking advantage of a momentary hesitation on her part as to how to proceed next, I bade her good-night and walked rapidly away.

I called in at a house farther down the village and returned to the Vicarage by the garden gate, passing, as I did so, the danger point of Miss Marple's garden. However, I did not see how it was humanly possible for the news of my visit to Mrs. Lestrange to have yet reached her ears, so I felt reasonably safe.

As I latched the gate, it occurred to me that I would just step down to the shed in the garden which young Lawrence Redding was using as a studio, and see for myself how Griselda's portrait was progressing.

I append a rough sketch here which will be useful in the light of after happenings, only sketching in such details as are necessary.

I had no idea there was any one in the studio. There had been no voices from within to warn me, and I suppose that my own footsteps made no noise upon the grass.

I opened the door and then stopped awkwardly on the threshold. For there were two people in the studio, and the man's arms were round the woman and he was kissing her passionately.

The two people were the artist, Lawrence Redding, and Mrs. Protheroe.

I backed out precipitately and beat a retreat to my study. There I sat down in a chair, took out my pipe, and thought things over. The discovery had come as a great shock to me. Especially since my conversation with Lettice that afternoon, I had felt fairly certain that there was some kind of understanding growing up between her and the young man. Moreover, I was convinced that she herself thought so. I felt positive that she had no idea of the artist's feelings for her stepmother.

A nasty tangle. I paid a grudging tribute to Miss Marple. She had not been deceived but had evidently suspected the true state of things with a fair amount of accuracy. I had entirely misread her meaning glance at Griselda.

I had never dreamed of considering Mrs. Protheroe in the matter. There has always been rather a suggestion of Cжsar's wife about Mrs. Protheroe - a quiet, self-contained woman whom one would not suspect of any great depths of feeling.

I had got to this point in my meditations when a tap on my study window aroused me. I got up and went to it. Mrs. Protheroe was standing outside. I opened the window and she came in, not waiting for an invitation on my part. She crossed the room in a breathless sort of way and dropped down on the sofa.

I had the feeling that I had never really seen her before. The quiet self-contained woman that I knew had vanished. In her place was a quick-breathing, desperate creature. For the first time I realised that Anne Protheroe was beautiful.

She was a brown-haired woman with a pale face and very deep set grey eyes. She was flushed now and her breast heaved. It was as though a statue had suddenly come to life. I blinked my eyes at the transformation.

"I thought it best to come," she said. "You - you saw just now?" I bowed my head.

She said very quietly: "We love each other…"

And even in the middle of her evident distress and agitation she could not keep a little smile from her lips. The smile of a woman who sees something very beautiful and wonderful.

I still said nothing, and she added presently:

"I suppose to you that seems very wrong?"

"Can you expect me to say anything else, Mrs. Protheroe?"

"No - no, I suppose not."

I went on, trying to make my voice as gentle as possible:

"You are a married woman -"

She interrupted me.

"Oh! I know - I know. Do you think I haven't gone over all that again and again? I'm not a bad woman really - I'm not. And things aren't - aren't - as you might think they are."

I said gravely: "I'm glad of that."

She asked rather timorously:

"Are you going to tell my husband?"

I said rather dryly:

"There seems to be a general idea that a clergyman is incapable of behaving like a gentleman. That is not true."

She threw me a grateful glance.

"I'm so unhappy. Oh! I'm so dreadfully unhappy. I can't go on. I simply can't go on. And I don't know what to do." Her voice rose with a slightly hysterical note in it. "You don't know what my life is like. I've been miserable with Lucius from the beginning. No woman could be happy with him. I wish he were dead… It's awful, but I do… I'm desperate. I tell you, I'm desperate." She started and looked over at the window.

"What was that? I thought I heard someone? Perhaps it's Lawrence."

I went over to the window which I had not closed as I had thought. I stepped out and looked down the garden, but there was no one in sight. Yet I was almost convinced that I, too, had heard someone. Or perhaps it was her certainty that had convinced me.

When I re-entered the room she was leaning forward, drooping her head down. She looked the picture of despair. She said again:

"I don't know what to do. I don't know what to do."

I came and sat down beside her. I said the things I thought it was my duty to say, and tried to say them with the necessary conviction, uneasily conscious all the time that that same morning I had given voice to the sentiment that a world without Colonel Protheroe in it would be improved for the better.

Above all, I begged her to do nothing rash. To leave her home and her husband was a very serious step.

I don't suppose I convinced her. I have lived long enough in the world to know that arguing with any one in love is next door to useless, but I do think my words brought to her some measure of comfort.

When she rose to go, she thanked me, and promised to think over what I had said.

Nevertheless, when she had gone, I felt very uneasy. I felt that hitherto I had misjudged Anne Protheroe's character. She impressed me now as a very desperate woman, the kind of woman who would stick at nothing once her emotions were aroused. And she was desperately, wildly, madly in love with Lawrence Redding, a man several years younger than herself. I didn't like it.