Mud Vein - Fisher Tarryn (читать книги онлайн бесплатно без сокращение бесплатно txt) 📗

It’s easier to sit on the stairs and lift myself backward, sticking my injured leg straight out while I use my arms and good leg to lift myself. I toss my sack up ahead of me. I feel every bump, every movement. The pain is so intense I am beyond screaming. It is taking concentration not to pass out. I’m sweating. I can feel fat rivulets rolling down the sides of my face and the back of my neck. I use the railing to lift myself up on the top step, then I hop to the ladder. This is going to be the hard part. Unlike the ladder in the well, this one angles straight up. There is nothing to lean on and the rungs are narrow and slippery. I sob with my face pressed against the wall. Then I pull myself together and drag myself up Mt. Everest.

I lay the logs. I light them. Just one at first, then I add a second. I put his head in my lap and rub his chest. I’ve done so much research as a writer; I know that when someone has hypothermia you’re supposed to focus on building heat in the chest, head and neck. Rubbing their limbs will push cold blood back toward the heart, lungs and brain, making things worse. I know I’m supposed to give him the heat from my body, but I can’t get my pants off, and even if I could I wouldn’t know how and where to put my body with a bone sticking out of it. I feel so much guilt. So much. Isaac was right. I knew the zookeeper was playing a game with me. I knew it when I saw the lighters and the carousel room. But I shut down and refused to help him figure things out. I shut down. Why? God. If I’d put two and two together, we could have found that well weeks ago. If he dies it’s my fault. He’s here and it’s my fault. I don’t even know why. But I want to. This is a game, and if I want to get out, I have to find the truth.

The Carousel

There is a carousel in Mukilteo. It sits in a copse of evergreens at the bottom of a hill called The Devil’s Backbone. The animals impaled on that ride are angry, their eyes rolling, heads kicked back like something has spooked them. It’s what you would expect from a ride that sits on the devil’s tailbone. Isaac took me there for my thirtieth birthday, on the last day of winter.

I remember being surprised that he knew it was my birthday, and that he knew where to take me. Not to a pretentious dinner, but to a clearing in the woods where a little bit of dark magic still lived.

“As your doctor, I have access to your medical records,” he reminded me, when I asked how he knew. He wouldn’t tell me where we were going. He loaded me into his car and played a rap song. Six months ago my music was wordless, now I was listening to rap. Isaac was a virus.

The Devil’s Backbone is curved like a serpent; it’s a steep rock path you half walk, half skid down. Isaac held my hand as walked, dodging boulders that jutted out of the ground like knobs on a spine. When we stepped into the circle of the trees, the moon was already hanging over the carousel. My breath caught. Right away, I knew there wasn’t something right. The colors were wrong, the animals were wrong, the sentiment was wrong.

Isaac handed five dollars to an old man sitting at the controls. He was eating sardines out of a can with his fingers. He stuck the five dollars in the front pocket of his shirt, and stood to open the gate.

“Choose wisely,” Isaac whispered as we crossed the threshold. I went left; he went right.

There was a ram and a dragon and an ostrich. I passed them by. This felt important, as if what I chose to ride on my thirtieth birthday said something. I stopped beside a horse that looked more angry than scared. Black with an arrow piercing its heart. Its head was bowed like it was ready for the fight, arrow or not. I chose that one, glancing over at Isaac as I swung my leg over the saddle. He was a few rows up, already on a white horse. It had a medical cross on its saddle and blood on its hooves.

Perfect, I thought.

I liked that he didn’t feel the need to ride next to me. He took his decision as seriously as I took mine, and in the end we each rode alone.

There was no music. Just the swish of the trees and the hum of machinery. The old man let us ride twice. When it was over Isaac came over to help me down. His finger stroked my pinkie, which was still wrapped around the cracked pole that speared my horse.

“I’m in love with you,” he said.

I looked for the old man. He wasn’t by his post. He wasn’t anywhere.

“Senna…”

Maybe he went to get more sardines.

“Senna?”

“I heard you.”

I slid off my horse and stood facing Isaac. My hair was pulled up or I would have started messing with it. He wasn’t very far from me, maybe just the distance of a single step. We were wedged in between two gory, death-infatuated carousel horses.

“How many times have you been in love, Doctor?”

He pushed his shirtsleeves up to his elbows and looked out at the trees behind my shoulder. I kept my eyes on his face so they wouldn’t wander to the ink on his arms. His tattoos confused me. They made me feel like I didn’t know him at all.

“Twice. The love of my life, and now my soulmate.”

I start. I was the writer; the worder of words—and I rarely used the beaten up idea of a soulmate. Love was sinned against too often for me to believe in that tired old concept. If someone loved you as much as they loved themselves, why did they cheat and break promises and lie? Wasn’t it in our nature to preserve ourselves? Shouldn’t we preserve our soul match with as much fervor?

“You’re saying there is a difference between those two?” I ask.

“Yes,” he said. He said it with so much conviction I almost believed him.

“Who was she?”

Isaac looked at me.

“She was a bass player. An addict. Beautiful and dangerous.”

The other Isaac, the one I don’t know, loved a woman who was very different from me. And now Doctor Isaac is saying he’s in love with me. As a rule, I try not to ask questions. It gives people a sense of friendship when you ask them things, and there is no getting rid of them. Since I can’t seem to get rid of Isaac anyway, I deem it safe to ask the most pressing question. The one that only he could answer.

“Who were you?”

It starts to rain. Not predictable Washington drizzle, but fast, fat bullets of water that explode when they hit the ground.

Isaac grabs the bottom of his sweater and pulls it over his head. I stand very still even though I’m startled. He’s shirtless in front of me.

“I was this,” he said.

Most people marked themselves with scattered ideas: a heart, a word, a skull, a pirate woman with huge breasts—little parts that represented something. Isaac had one tattoo and it was continuous.

A rope. It wound around his waist and chest, looped around his neck like a noose. It wrapped twice around each bicep before coming to an end right above the words I’ve seen poking out from underneath his sleeves. It was painful to look at. Uncomfortable.

I understood. I knew what it was like to be bound.

“I’m this now,” he said. He used two fingers to point to the words on his forearm.

Die to Save

My eyes go to his other arm.

Save to Die

“What does that mean?”

Isaac looked at me closely, like he didn’t know if he should tell me.

“A part of me had to die in order to save myself.” My eyes move to his left arm.

Save to Die

He saved lives to die to himself. To keep the bad part dead he had to be constantly reminded of the frailty of life. Being a doctor was Isaac’s only salvation.

God.

“What’s the difference?” I asked him. “Between the love of your life, and your soulmate?”

“One is a choice, and one is not.”

I’d never thought of love as a choice. Rather, it seemed like the un-choice. But if you stayed with someone who was self-destructing and chose to keep loving, I suppose it could be a choice.