Julia Ward Howe - Richards Laura E. (бесплатная регистрация книга TXT) 📗
Yet she went to the opera in the evening, and saw "Faust," a "composition with more faults than merits." She concludes the entry with "Dilige et relinque is a good motto for some things."
"Sunday, January 17. It was announced from the pulpit that an Essay on the Soul and Body would be read by a friend at Wednesday evening meeting. That friend was myself, that essay my Lecture on Duality. This would be an honor, but for my ill-deserts. Be witness, O God! that this is no imaginary or sentimental exclamation, but a feeling too well founded on fact."
After the lecture she writes: "Mr. Clarke introduced me charmingly. I wore my white cap, not wishing to read in my thick bonnet. I had quite a full audience.... I consider this opportunity a great honor and privilege conferred upon me."
"January 28. At a quarter before 2 P.M. finished my Essay on Philosophy and Religion. I thank God for this, for many infirmities, some physical, some moral, have threatened to interrupt my work. It is done, and if it is all I am to do, I am ready to die, since life now means work of my best sort, and I value little else, except the comfort of my family. Now for a little rest!"
The "rest" of the following day consisted in paying eight visits between twelve and two o'clock and going to the opera in the evening.
She now began to read her philosophical essays aloud to a chosen circle of friends gathered in the parlor of No. 13 Chestnut Street. After one of these occasions she says: "Professor Rogers took me up sharply (not in temper), on my first statement and definition of Polarity. I suffered in this, but was bound to take it in good part. A thoroughbred dog can bear to be lifted by the ear without squealing. Endurance is a test of breeding...."
"May 27, 1864. My birthday; forty-five years old. This year, begun in intolerable distress, has been, I think, the most valuable one of my life. Paralyzed at first by Sammy's death, I soon found my only refuge from grief in increased activity after my kind. When he died I had written two-thirds of 'Proteus.' As soon as I was able, I wrote the remaining portion which treats of affection. At Newport I wrote my Introductory Lecture on 'How Not to Teach Ethics,' then 'Duality of Character,' then my first Lecture on Religion. Returned from Newport, I wrote my second and third essays on Religion. I read the six essays of my first course to a large circle of friends at my own house, not asking any payment. This done, I began to write a long essay on Polarity which is only partially completed, intending also to write on Limitations and the three degrees, should it be given to me to do so. I have read and re-read Spinoza's Ethics within the last thirteen months. His method in the arrangement of thought and motive has been of great use to me, but I think that I have been able to give them an extended application and some practical illustrations which did not lie within his scope."
The next day she writes: "Dreamed of dearest Sammy. Thought that he was in the bed, and that I was trying to nurse him in the dark as I have so often done. I thought that when his little lips had found my breast, something said in my ear, 'My life's life—the glory of the world.' Quoting from my lines on Mary Booth. This woke me with a sudden impression, Thus Nature remembers."
She decided this spring to read some of her essays in Washington. There were various difficulties in the way, and she was uncertain of the outcome of the enterprise. She writes:—
"I leave Bordentown [the home of her sister Annie] with a resolute, not a sanguine heart. I have no one to stand for me there, Sumner against me, Channing almost unknown to me, everyone else indifferent. I go in obedience to a deep and strong impulse which I do not understand nor explain, but whose bidding I cannot neglect. The satisfaction of having at last obeyed this interior guide is all that keeps me up, for no one, so far as I know, altogether approves of my going."
Spite of these doubts and fears, the enterprise was successful. Perhaps people were glad to shut their ears for a moment to the sound of cannon and the crying of "Latest news from the front!" and listen to the quiet words of philosophic thought and suggestion.
Side by side with work, as usual, went play. In January she records the first meeting of the new club, the "Ladies' Social," at the home of Mrs. Josiah Quincy. This club of clever people, familiarly known as the "Brain Club," was for many years one of her great pleasures. Mrs. Quincy was its first president. It may have been at this meeting that our mother, being asked to present in a few words the nature and object of the club, addressed the company as follows: "Ladies and Gentlemen; this club has been formed for the purpose of carrying on"—she paused, and began to twinkle—"for the purpose of carrying on!"
She describes briefly a meeting of the club at 13 Chestnut Street:—
"Entertained my Club with two charades. Pan-demon-ium was the first, Catastrophe the second. For Pan I recited some verses of Mrs. Browning's 'Dead Pan,' with the gods she mentions in the background, my own boy as Hermes. For 'Demon' I had a female Faust and a female Satan. Was aided by Fanny McGregor, Alice Howe, Hamilton Wilde, Charles Carroll, and James C. Davis, with my Flossy, who looked beautifully. The entertainment was voted an entire success."
We remember these charades well. The words
"Aphrodite, dead and driven
As thy native foam thou art ... "
call up the vision of Fanny McGregor, white and beautiful, lying on a white couch in an attitude of perfect grace.
We hear our mother's voice reciting the stately verses. We see her as the "female Faust," first bending over her book, then listening entranced to the promises of Mephistopheles, finally vanishing behind a curtain from which the next instant sprang Florence (the one child who resembled her) in all the gayety of her bright youth.
The next day she was, "Very weary all day. Put things to rights as well as I could. Read in Spinoza, Cotta, and Livy."
It was for the Brain Club that she wrote "The Socio-Maniac," a cantata caricaturing fashionable society. She set the words to music, and sang with much solemnity the "Mad Song" of the heroine whose brain had been turned by too much gayety:—
"Her mother was a Shaw,
And her father was a Tompkins;
Her sister was a bore,
And her brother was a bumpkin;
Oh! Soci—oh! Soci—
Oh! Soci—e—ty!
"Her flounces were of gold,
And her slippers were of ermine;
And she looked a little bold
When she rose to lead the Germin;
Oh! Soci—oh! Soci—
Oh! Soci—e—ty!
"For my part I never saw
Where she kept her fascination;
But I thought she had an aw-
Ful conceit and affectation;
Oh! Soci—oh! Soci—
Oh! Soci—e—ty!"
