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My poor dear little Laura, how miserably you must have been feeling, I know well by your long silence. Oh! posterity! posterity! how much you cost, and how little you come to! Did I not cost as much as another? And what do I come to? By Jingo!

Darling, I have got some little miserable mean excuses. Want 'em? Have had much writing to do, many words for little money. For "Critic" (N.Y.) and for "Youth's Companion" and other things. Then, have kept up great correspondence with Uncle Sam, who has given me a house in Beacon Street! oh gonniac![94]

We had lit'ry party last week. Dr. Holmes and William Dean Howells read original things. James Freeman Clarke recited and we had ices and punch. Maud thought it frumpy, but others liked it very much. Have been to church to-day, heard J. F. C. 'Most off crutches now and hobble about the house with a cane. Use crutches to go up and down stairs and to walk in the street.... Have heard much music and have seen Salvini once, in the "Gladiator," and hope to see him on Thursday, in "Macbeth." How are the dear children? I do want to see them, 'specially July Ward....

"May 27. Soon after 7 A.M. arrived Uncle Sam with my dear sister Annie Mailliard from California; the whole intended as a birthday surprise. My sister is very little changed; always a most tender, sensitive woman. Sister Louisa didn't know of this and came at 11 A.M. to bring my greetings and gifts, with Mr. Terry, Daisy, and Uncle Sam. When Sister Annie appeared, Sister Louisa almost fainted with delight and astonishment."

"June 20, Oak Glen, Dear Flossy suffering at 6 A.M.—about all day. Her child, a fine boy, born at 3 P.M. We are all very happy and thankful. It was touching to see the surprise and joy of the little children when they were admitted to a sight of their new relative. There was something reverent in the aspect of the little creatures, as if they partly felt the mystery of this new life which they could not understand. Some one told them that it came from Heaven. Harry, four years old, said: 'No, it didn't come from Heaven, for it hasn't any wings.'"

To Laura (who, as usual, wanted a letter)

Oak Glen, July 10, 1881.

Yes, she was a little injured, but not so bad as she pretends. Feelings hurt dreadful? Self-esteem bruised and swollen? Spleen a little touched? Well, she has had the doctor, and the doctor said: "Her mother is a public character, what can we do about it?"

Could my ink forever flow,

Could my pen no respite know.

Well, my darling, it was too bad, so we'll make up, and kiss and be friends. But now you look here. Besides all my lit'ry work, which seems to be heaviest in summer time, I had an awful deal to do in taking care of Flossy's children and the new baby. The babe is of the crying sort! When anything is to be done for his Ma, the nurse expects some one to hold him.... I returned last night from a journey to Vermont, where I read a paper before the American Institute of Education, and also spoke at a suffrage meeting and also at an outdoor mass meeting, and also at a suffrage meeting in Montpelier, and came back, after four days' absence, very tired. (Chorus, Don't tell Maud.)...

"August 30. My first performance at the Casino Theatre. It went off very successfully, and I was much applauded, as were most of the others. Supper afterwards at Mrs. Richard Hunt's, where I had to appear in 'plain clothes,' having been unable to accomplish evening dress after the play. Dear Flossy went with me."

Another "performance" of that summer is not noted in the Journal; an impromptu rendering of "Horatius at the Bridge," in the "green parlor" at Oak Glen, with the following cast:—

Horatius                       F. Marion Crawford.

Spurius Lartius             J. W. H.

Herminius                     Maud Howe.

The green parlor was an oval grass plot, thickly screened by tall cedars. Laura recited the ballad, keeping her voice as she could while the heroes waged desperate combat, but breaking down entirely when Horatius "plunged headlong in the tide," and swam with magnificent action across—the greensward!

"September 18. Preached in Tiverton to-day. Text: 'The fashion of this world passeth away.' Subject: Fashion, an intense but transient power; in contradistinction, the eternal things of God."

"September 25. Spent much of this day in composing a poem in commemoration of President Garfield's death. Spared no pains with this and succeeded better than I had expected."

"September 26. The President's funeral. Services held in most cities of the United States, I should judge. Solemn services also in London and Liverpool."

To Samuel Ward

241 Beacon Street,

December 22, 1881.

Dearest Brother,—

... Your house, darling, was bright and lovely, yesterday. I had my old pet, Edwin Booth, to lunch—we were nine at table, the poet Aldrich disappointing us. From three to four we had a reception for Mr. Booth, quite the creme de la creme, I assure you. Among others, Dr. Holmes came. The rooms and furniture were much admired. We gave only tea at the levee, but had some of your good wine at the luncheon.

P.S. Mr. Booth in "Lear" last night was sublime!

To the same

Edwin Booth had sent us his box for the evening. The play was "Hamlet," the performance masterly. People's tastes about plays differ, but I am sure that no one on the boards can begin to do what Booth does. I saw him for a moment after the play, and he told me that he had done his best for me. Somehow, I thought that he was doing his very best, but did not suppose that he was thinking of me particularly....

"January 29, 1882. Frank [Marion Crawford] had met Oscar Wilde the evening before at Dr. Chadwick's; said that he expressed a desire to make my acquaintance. Wrote before I went to church to invite him to lunch. He accepted and Maud and Frank, or rather Marion, flew about to get together friends and viands. Returning from a lifting and delightful sermon of J. F. C.'s, I met Maud at the door. She cried: 'Oscar is coming.' Mrs. Jack Gardner, Madame Braggiotti, and Julia completed our lunch party. Perhaps ten or twelve friends came after lunch. We had what I might call a 'lovely toss-up,' i.e., a social dish quickly compounded and tossed up like an omelet."

During this year and the next, Crawford made his home at 241 Beacon Street. Here he wrote his first three books, "Mr. Isaacs," "Dr. Claudius," and "A Roman Singer." He was a delightful inmate, and the months he spent under our mother's roof were happy ones. A tender camaraderie existed between aunt and nephew. During his first winter in Boston he thought of going on the stage as a singer, and studied singing with Georg Henschel. He had a fine voice, a dramatic manner, full of fire, but an imperfect ear. This fault Henschel at first thought could be remedied: for months they labored together, trying to overcome it. Crawford delighted in singing, and "Auntie" in playing his accompaniments. At dusk the two would repair to the old Chickering grand to make music—Schubert, Brahms, and arias from the oratorios they both loved. In the evening the three guitars would be brought out, and aunt and nephew, with Maud or Brother Harry, would sing and play German students' songs, or the folk-songs of Italy, Ireland, and Scotland. Our mother was sure to be asked for Matthias Claudius's "Als Noah aus dem Kasten war": Crawford would respond with "Im schwarzen Wallfisch zu Ascalon."

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