Julia Ward Howe - Richards Laura E. (бесплатная регистрация книга TXT) 📗
"October 13. To New Bedford, for the Suffrage meeting; trains did not connect at Myricks, where, after some delay and negotiation, I with difficulty persuaded the conductor of a freight train to take me to New Bedford in his caboose. This saved me time enough to go to the Delano Mansion, restore my strength with food, and put on my cap and ruche. The Delanos were very kind. I read my Congress paper on 'Benefits of Suffrage to Women.'"
"November 23. To Louisburg Square to my old friend's funeral [Hamilton Wilde].... Around and before me were the friends and associates of the golden time in which his delightful humor and bonhomie so often helped me in charades and other high times. It was ghostly—there were Lizzie Homans and Jerry Abbott, who took part with him and William Hunt in the wonderful charade in which the two artists rode a tilt with theatre hobbies. The gray heads which I had once seen black, brown, or blond, heightened the effect of the picture. It was indeed a sic transit. I said to Charles Perkins—'For some of us, it is the dressing bell!' Oh! this mystery! So intense, so immense a fact and force as human life, tapering to this little point of a final leave-taking and brief remembrance!"
Now came the New Orleans Exposition, in which she was to be chief of the Woman's Department.
It was already late when she received the appointment, but she lost no time. Establishing her headquarters at No. 5 Park Street (for many years the home of the "Woman's Journal" and the New England Woman's Club), she sent out circulars to every State in the Union, asking for exhibits, and appealed to the editors of newspapers all over the country to send women correspondents for a month or more to the Exposition. She called meetings in Boston, New York, Providence, Philadelphia, and Hartford, at all of which she spoke, imploring the women to bestir themselves, and, late as it was, to make an effort to get together a proper showing of women's work for the great Fair.
Beside all this, she kept up through the autumn an active correspondence with the Exposition authorities at New Orleans.
The Exposition was scheduled to open on the 1st of December: it did actually open on the 16th. She writes:—
"A steamer had been chartered to convey thither the officers of the Exposition and their invited guests. Seated on the deck, the chief of the Woman's Department and her fellow-workers watched the arrival of the high dignitaries of the State and city, escorted by members of the military, and by two bands of music; one, the famous Mexican Band. All the craft on the river were adorned with flags and streamers. The Crescent, which gives the city its familiar designation, was pointed out, and the 'Father of Waters' was looked upon with admiring eyes. The steamer brought us to the Exposition grounds, and here a procession was formed in which the ladies of the Woman's Department were assigned a place which they had some difficulty in keeping. The march led to the Main Building. The opening prayer was made by the Reverend De Witt Talmage. At a given moment a telegram was received from the President of the United States, Chester A. Arthur, declaring the Exposition to be formally open. Immediately after, the son of the Director-General, a fine lad of twelve years, touched the electric button by which the machinery of the Exposition was set in motion.
"Returning by land, we found the streets gay with decorations, in which the colors of the orthodox flag were conspicuous."
Maud was with her, and shared her labors, as did her devoted friend Isabel Greeley. At this time the floor of the gallery destined for the women's exhibit was not laid. By December 29 the officers of the department were able to hold a meeting in "an enclosure without doors or suitable furniture." When all was supposed to be ready for the exhibits, it was found that the roof leaked badly, the timber having so shrunk under the action of the sun as to tear away the waterproof felting. Moreover, there was not enough money to carry on the business of the Department. Funds had been promised by the Board of Management, but these funds were not forthcoming, the Board itself being in difficulties. Our mother had foreseen this contingency.
"Ladies," she said, "we must remember that women have sometimes built churches with no better instruments than thimbles and a teapot! If the worst comes to the worst, we must come before the public and endeavor with its aid to earn the money necessary to complete our enterprise."
This foreboding soon became a fact, and early in January she found herself in rather a "tight corner." She had sent out the call for exhibits to every State in the Union; with great effort the women of the country had responded most generously. She now felt herself personally responsible for these exhibits, and determined that, coute que coute, they should be well displayed and the Woman's Department properly installed.
There was no money: very well! she would earn some. She arranged a series of entertainments, beginning with a lecture by herself. There followed a time of great stress and anxiety, which taxed to the utmost her mother-wit and power of invention. Faculties hitherto dormant awoke to meet the task; she devised practical, hard, common-sense methods, far removed from her life habit of intellectual labor. She had moved into a new apartment in the house of life, one nearer the earth and not quite so near the stars. She often quoted during these months Napoleon's saying, on being told that something he wished to do was impossible, "Ne me dites pas ce bete de mot!"
In spite of endless vexations, it was a time of tremendous enjoyment; every nerve was strained, every gift exercised; the cup of life was brimming over, even if it was not all filled with honey.
"January 13, 1885. Preparing for my lecture this evening. Subject, 'Is Polite Society Polite?' Place, Werlein Hall. I was very anxious—the lecture appeared to me very homely for a Southern audience accustomed to rhetorical productions. My reception was most gratifying. The house was packed and many were sent away. Judge Gayarre introduced me. Joaquin Miller came first, reciting his 'Fortunate Isles.' I said in opening that even if my voice should not fill the hall, my good-will embraced them all. Every point in the lecture was perceived and applauded, and I felt more than usually in sympathy with my audience."
"The second entertainment devised for the relief of the Woman's Department was a 'Soiree Creole,' the third and last a 'grand musical matinee' at the French Opera House, for which we were indebted to the great kindness of Colonel Mapleson, who granted us the use of the house, and by whose permission several of his most distinguished artists gave their services. Monsignor Gillow, Commissioner for Mexico, also allowed his band to perform."
The difficulty of persuading the different artists to sing, of pacifying their separate agents in the matter of place on the programme and size of the letters in which names were advertised, of bringing harmony out of all the petty rivalries and cabals between the different members of the troupe, required a patience worthy of a better cause. Meanwhile there were other troubles. Most of the women commissioners appointed by the different States proved loyal comrades to their chief in her great and distressful labor; but there were others who gave her endless trouble.
"February 6. Our concert. The weather was favorable. Lieutenant Doyle came to escort me to the theatre. My box was made quite gay by the uniforms of several navy officers. The house was packed. We took $1500 and hope to have more. I particularly enjoyed the Semiramide overture, which the band gave grandly. Rossini's soul seemed to me to blossom out of it like an immortal flower."
